Tuesday, March 8, 2011

Climbing Cargo Nets Parts

Thieves soaps - Maurizio Nichetti (1989) The innocent

TITULO Thieves soaps
AÑO 1989
subtitulos
No DUREE
95 min.
DIRECTOR Maurizio Nichetti
PHOTOGRAPHY
Mario Battistoni ESCENOGRAFIA
Ada Legora
vestuario Maria Pia Angelini
MONTAGE
Rita Rossi, Anna Missoni
MUSIC Manuel De Sica
DEPARTMENT Maurizio Nichetti, Caterina Sylos Labini, Federico Rizzo, Matteo Auguardi, Renato Scarpa, Heidi Komarek, Carlina Torta, Lella Costa, Claudio G. PRODUCTION
Fava Ernesto Di Sarro
per Bamboo, Cinema e TV CO-PRODUCTION

Reteitalia


SYNOPSIS While on a television studio provides a discussion of a film shot "mode "neo-realism, on the TV of a family of strangers parking teledependientes start trade between the movies and advertising, between reality and fiction, and neither realize. In general approval in the "marmellata cathode" that expands every day, on the small stage, everyone can find what you want.

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Maurizio Nichetti invitat in televisione è per il suo submit the last film, Ladri di saponette, rilettura in black and white masterpiece of neorealism. Meanwhile, a family that discusses the program that begins to see the movie, and does not realize that advertising, constantly interrupting the story, little by little it distorts the way, creating an incredible pass from one dimension to the characters' other. Only to realize the phenomenon, Nichetti desperately tries to save his film by entering himself in the story that he wrote.
"I liked to play with three different levels of reality. The first is that of neo-realism, which does not correspond to reality, but that particular kind of film in black and white, with the poverty that atmosphere typical of the postwar period ... Then there is the level of hyperrealism advertising, a reality that is not such but that is presented as real a world where everything is beautiful, colorful, perfect, smiling and happy. Finally there is the reality of the family of TV viewers, who can no longer distinguish between realism and neo-realism, if not because one is in color and one black and white. "
http://www.albafilmfestival.com/pagine/ita/archivio/scheda_film.lasso?id=5705D56409f68388BAKJm3B74AD1

"The most original Italian film of 1989: ironic, full of ideas, intelligent as well as philological. A good satire of neorealism, a violent attack on television and, for good measure, a pretty self-deprecating participation of Claudio G. Stone. "(Francesco Mininni, Italian TV Magazine)
" This surreal and imaginative work in addition to offering a safe fun, also invites reflection on certain negative influences which articulated the use of advertising may result in the audiovisual sector. Worthy of note is the interpretation of Nichetti. "(Reports Cinema)
Notes:
- Grand Prize at the Moscow Film Festival in 1989. - The movie 'was shot in eight weeks in patient research SPACES BETWEEN LONDON AROUND FOR A COST OF TWO BILLION AND A HALF. - deserves particular attention DIRECTOR OF PHOTOGRAPHY, Mario Battistoni, UNDERTAKEN TO RECOVER THE BLACK AND WHITE AND COLOR NEOREALISM COLD AND FUNCTION OF ADVERTISING '.
- Franco Godi and 'the creator of advertising jingles.
http://www.comingsoon.it/Film/Scheda/Trama/?key=5379&film=LADRI-DI-SAPONETTE

Storyboad



storyboad The story is represented by images. Through a series of drawings, visualize on paper the first images of our film. Some draw only the most important and representative images of history, others meticulously depict each scene, commenting also on the technical point of view-director, useful for directing but also for all other employees.

The storyboard is a very valuable tool, even in the realization of a short, since it allows to fix the images, which the writer describes in words.
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